BATMAN:
THE BRAVE AND THE BOLD- THE BRONZE AGE OMNIBUS VOL. 1 (DC,
First Printing, 2017; Hardcover)
Collects
The
Brave and the Bold
#74-109
(core stories only; none of the back-up stories are included) (cover
dates November, 1967- November, 1973)
Writers:
Bob Haney, Mike Sekowsky, and Denny O'Neil
Artists:
Pencilers- Ross Andru, Neal Adams, Mike Sekowsky, Bob Brown,
Irv Novick, Nick Cardy, Carmine Infantio, and Jim Aparo; Inkers-
Mike Esposito, Jack Abel, Neal Adams, Dick Giordano, Vince Colletta,
Irv Novick, Joe Kubert, Nick Cardy, Murphy Anderson, Jim Aparo, and
Frank McLaughlin
DC
has really closed the quality gap when compared to Marvel's Omnibus
editions. I prefer the paper stock that DC has been using over the
decontented stock Marvel has been using in theirs for the past few
years. The binding, while stiffer, feels sturdier than Marvel
Omniboo. We'll see if it develops Omnibus sag like the older Marvel
ones do. Both companies have cheapened the hardback boards and
casewrap.
Awful gradient shading. |
The
OCD zone-
This
is the part where I go into tactile sensations and materials used in
physical media. Those with heart conditions, high blood pressure, or
women who are pregnant should exit my blog at their earliest
convenience, as their safety cannot be guaranteed beyond this point.
Issue
84 had a two page spread which was broken up on pages 265 and 266.
While it is a subtle spread Bruce Wayne's head does continue across
both pages in the original issue. This effect is ruined in this book.
Linework
and Color restoration: Hit and miss when it comes to the
coloring. Some of the restoration work has been repurposed from the
Legends Of The Dark Knight: Jim Aparo hardcover and the Diana
Prince, Wonder Woman trades. Those issues have awful, lazy
gradient shade blends. While subtle to normal humans, they stab into
my eyes like hot needles.
The
issues which were freshly recolored for this book (INCLUDING the Neal
Adams ones!!!) look terrific. Those of us who suffered through Adams'
George Lucas Special Edition bastardization of these issues in those
Batman By Neal Adams line can rejoice in the fact that history
has been corrected.
Scan of the original comic. |
Restoration found in this book. |
The
linework is very good throughout, although I did not go page by page
and panel by panel. I might have missed something, but the handful of
spot checks that I did looked good.
Paper
stock: I love the matte coated stock DC uses in their
Omniboo. Top shelf stuff.
Binding:
While the sewn binding is stiffer than Marvel's, the book as a whole
feels sturdier.
Dustjacket
and Hardback cover notes:
The dustjacket has glossy lamination. The casewrap of the hardback is
the sole drawback here, as it feels cheap.
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