GREEN
LANTERN: SECTOR 2814 VOL. 2 (DC,
First Printing, 2013;
Softcover)
Collects
Green
Lantern #182,
183, 185-193 (main
stories only) (cover dates November, 1984- October, 1985)
Writer:
Len Wein (#182, 183, 185, 186), Paul Kupperberg (#187), and Steve
Englehart (#188-193)
Artists:
Dave Gibbons (Penciler, #182, 183, 185, 186), Bill Willingham
(Penciler, #187), and Joe Staton (#188-193) with Inking by Mark
Farmer, Mike DeCarlo, Rich Rankin, and Bruce Patterson
1984
and 1985 are “my” golden age of comics. I turned 11 and 12 in
those years and many of my fondest comic memories come from that
time. I was a Marvelite back then and I wouldn't have been caught
dead reading anything from the Distinguished Competition. Everyone,
and by everyone I mean my two comic reading friends and I, knew that
DC sucked. More fool me. This is every bit as good as anything that
Marvel was producing during this time period.
Indeed,
Marvel alumni Len Wein and Steve Englehart capably handle this long
running story of Hal Jordan quitting the Green Lantern Corps and him
wrestling with his new life as a civilian while the new Green
Lantern, John Stewart, learns the ropes. Stewart is from Detroit,
which is awesome because no Marvel superhero was from Detroit back in
1984-85. I would have loved that as a kid.
Dave
Gibbons' brilliant art is replicated as closely as possible by his
replacement art team, Joe Staton and Bruce Patterson. Only my brand
loyalty of the day kept me away from this comic. In all honesty I
could barely afford the comics that I read at that time, so it's
probably for the best that I was unwilling to read anything else.
My
only gripe is the awful resolution to the Predator nemesis.
Seriously? This is hackneyed, stoned '70s-style plot twisting at it's
worst. I expected better from Englehart. He picks up and carries on
well enough afterward, so I am looking forward to finally reading the
third and final volume in this line of trades.
Junk
Food For Thought rating: 4.5 out of 5.
The
OCD zone-
#184 was omitted because it was a reprint of Issue 59. The back-up
stories are collected in a separate line of trades. DC's collected
editions department has never made much sense to me.
Linework
and Color restoration: The linework is excellent. At first
glance it appears that some lines are dropped but a closer inspection
against the original comic books reveals that what often appears to
be thicker lines is really a gnashing of the plates and that there
were thinner lines.
While
the original color palette is faithfully maintained across the three
issues that I did comparisons with it is the gradient shades used to
soften the blends that stick out to my eye. Is it that big of a deal?
The color blend is correct, only the method DC used at this time is
not authentic to the era. The gradients give an airbrushed appearance
to the edge of the blend, whereas when these are recolored “by
hand” on a computer you get more authentic looking blends. Your OCD
mileage may vary, I just list this (and in all honesty do this blog)
to inform fellow fans on the good, the bad, and the ugly of collected
editions.
Paper
stock: Bright white glossy stock. Not optimal for material
with flat coloring but I prefer it to the cheap paper which DC used
to pass off on books of vintage material. They have since phased this
paper out.
Binding:
Perfect bound trade paperback.
Cardstock
cover notes:
Laminated cardstock cover.
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