COLLECTED
WORKS: SKELETON HAND (PS
Artbooks, First Printing, 2012; Hardcover)
Collects
Skeleton
Hand In Secrets Of The Supernatural
#1-6 and Clutching
Hand
#1 (cover dates September/ October, 1952- July/ August, 1954)
Writers:
Richard Hughes, Paul Gustavson, and other unidentified writers
Artists:
Ken Bald, Pete Riss, Charles Sultan, Jon Blummer, Frank Simienski,
King Ward, Gus Ricca, Edvard Mortiz, Harry Lazarus, Charles Nicholas,
Milt Knopf, John Rosenberger, Sam Cooper, Dick Beck, Paul Cooper,
Sheldon Moldoff, George Klein, Art Gates, Lin Streeter, Paul
Gustavson, Ed Good, Ken Landau, and other unidentified artists
ACG
(American Comics Group) is widely considered to be in the top 5
Pre-Code Horror comics publishers. Most of these comic books were
thrown away by angry mothers who were aghast that their perfect 1950s
children would soil their minds with such trash. These comics remain
a sort of forbidden fruit nearly 70 years after they were originally
published for that very reason.
Issue
2's The Bat And The Brain features artwork by Gus Ricca, whom
I was previously unaware of. His art is incredible and my research
revealed that he was a professional artist but only worked in comics
for a dozen or so years.
Parenting techniques have changed in the last 70 years. |
A lot of these Pre-Code Horror comics tend to bleed into one another after you've read enough of them. It becomes difficult to tell who nicked what and where they might have nicked it from. Most of the series writers are unknown. This series seemed to pick up steam with each issue.
The
Clutching Hand one-shot
is the best issue in the book. I especially enjoyed Flowering
Death!, a tale of a
serial killer who chooses his victims by their names (Rose, Aster,
Marigold, etc.). It was an effective hook for a story.
This
was a neat done in one volume series. PS Artbooks has buried us alive
with these books and we love them for it. I likely won't live long
enough to read and review them all but I'll give it a go.
Junk
Food For Thought rating: 3.75 out of 5.
The
OCD zone-
This
is the part where I go into tactile sensations and materials used in
physical media. Those with heart conditions, high blood pressure, or
women who are pregnant should exit my blog at their earliest
convenience, as their safety cannot be guaranteed beyond this point.
I
enjoy huffing these Chinese made books. PS Artbooks smell the best.
Whenever I crack one open I sit there and snort it...Oh
yeah, that's the stuff.
This
book has the ever delectable sweet, sweet toxic Chinese printing
press smell, likely* the result of paper sourced from virgin Amazon
rainforests and ink which is a concoction of lead paint chips, broken
and pulped asbestos tiles, mercury from recalled thermometers, and
the final magical ingredient: the blood, sweat, and tears of the
children working the sweatshop printing presses. If loving these
books is wrong then I don't want to be right!
*This
is a joke, folks. Lighten up.
Linework
and Color restoration: Like any PS Artbook, the scanning
quality varies issue by issue. This looks decent for a scan and print
collection although it could have been better in spots.
The
raw scan presentation has the benefit of giving the reader the
feeling of reading the original comic book. The drawback, which is a
huge one subjectively speaking, is that all of the shortcomings of
the primitive four color printings presses are apparent. Line bleed,
off register printing, and other anomalies are all present. It's a
warts and all approach. Your mileage may vary and it all boils down
to your preference.
Paper
stock: Bright white matte stock.
Binding:
Sewn binding. This book is on the thicker side for a PS Artbook and
it doesn't lay flat until a little ways in.
Hardback
cover notes: Matte casewrap with
spot varnish. No dustjacket. Images printed directly onto the
casewrap.
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