KILL
OR BE KILLED VOL. 1 (Image, First Printing, 2017; Softcover)
Collects
Kill Or Be Killed #1-4 (cover dates August- November, 2016)
Writer:
Ed Brubaker
Artist:
Sean Phillips
Colorist:
Elizabeth Breitweiser
I
borrowed this book from my local library.
Dylan
is a loser. Dylan is a 28-year old grad student and suicidal failure.
Dylan lives with his friend who ended up in a relationship with his
longtime female friend that he's had a thing for. Nothing in Dylan's
life is very worthwhile, at least in his mind, so he does what any
self-absorbed loser would do. He kills himself by jumping off of the
roof of a building.
Being
a loser means that Dylan can't even kill himself right, as he gets
caught up on a blanket on a clothesline, breaking his fall of six
flights as he is further cushioned by a pile of snow. Dylan thinks
he's really lucky until woken during his sleep by a demon. The demon
tells him that he owes him a life every month since he gave Dylan a
second chance. Someone who deserves to be killed, like a childhood
friend's older brother whom he remembers molesting his friend due to
the conversations they had during childhood which made sense later
on. Or Russian mobsters who run some kind of stripper human
trafficking thing.
As
Dylan starts killing people he discovers some truths about himself,
and we discover a few truths about him that he doesn't realize. The
last page of the book is a real jaw dropper which turns the whole
thing on its head.
Brubaker
and Phillips have continually refined their craft. Criminal
was better than Sleeper, and Incognito was better than
Criminal. All of those were buried by Fatale. Every
time that I think they have peaked they top their previous peak.
Elizabeth Breitweiser is one of the top colorists in the biz today.
She's their secret weapon, adding layers and mood to the artwork. I'm
so blown away by this book that I am going to buy it and add yet
another book to my collection.
Junk
Food For Thought rating: 5 out of 5.
The
OCD zone-
This
is the part where I go into tactile sensations and materials used in
physical media. Those with heart conditions, high blood pressure, or
women who are pregnant should exit my blog at their earliest
convenience, as their safety cannot be guaranteed beyond this point.
This
is a copy that I borrowed from the library. Library copies are
fascinating studies in workmanship and durability.
The
covers are collected in the back of the book, a major pet peeve of
mine. While there is a blank red page which serves as a chapter
marker for each issue, I dislike it when the covers aren't placed
before the issues.
Paper
stock: Matte coated stock with minimal sheen. This is some
fantastic paper. Readers of digital comics scoff at collected edition
snobs like myself, but I am like a vinyl and CD music fan. The
tangible physical object makes it more real to me. I love paper.
Binding:
Perfect bound paperback.
Cardstock
cover notes: Matte coating on the cardstock which is
remarkably resistant to scuffing. Image makes quality books these
days, and I'm not just referring to the content.
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