LEONARD
STARR'S MARY PERKINS ON STAGE VOL. 8 (Classic
Comics Press, First Printing, 2011; Softcover)
Collects
Mary
Perkins On Stage
strips originally published on May 5, 1966- November 19, 1967
Writer
and Artist: Leonard Starr
It
was 1966, and the times they were a-changin'. Topics like the Cold
War, divorce and drugs crept into the strip. There was still plenty
of lighthearted fun, as evidenced by the wafer thin metaphor for the
1966 Batman television series by the way of Captain Virtue,
but the world was a rapidly changing place that bled into all forms
of art and entertainment.
We
see the return of beloved characters like Major Grisha Volkov, who is
unwittingly caught in a plot to retrieve a defected actor Valerian
Stepanovsky to Russia. Sabakin and Katerina Verna are trying to bring
the famed Stepanovsky back because they believe that he is a cultural
treasure who belongs to the Soviet Union. Things go horribly wrong
for them, with it escalating to kidnapping and a hostage situation.
This arc has one of the most intense sequences in the strip so far.
The
Beauchamp family storyline is another example of the strip reacting
to the changing times. Much like today, the old guard back then was
so clearly out of step with the way things were going that they do
things which are bizarre and even downright harmful in order to keep
up appearances. The Vanna Croy arc shows how ruthless ambitious
people are. People today seem to believe that folks have never been
as self-centered or self-serving as they are today. I think that some
people have always been out for themselves, but either they were
better at hiding it or maybe it was because they didn't broadcast it
on Facebook.
The
Vanna Croy arc flows into the return of Johnny Q, where Eddie the
assistant stage director is caught up with Johnny Q's friend Hickey,
who manages his dischoteque. While the “white powder” is referred
to as “dope” it is apparent that growing drug use among the youth
was a cause of concern for everyone. The arc ends with Johnny Q
telling Mary goodbye for good. We have heard that before, but will it
really be goodbye this time? Time will tell.
This
is some of Starr's finest artwork yet. I am always blown away by
strip artists who put so much effort into their work when it was
intended to be read once and then thrown away. It makes me wonder why
they didn't cut corners or omit details. It almost feels like art for
the sake of art at times. Starr plays with shades and solids a lot
during this era to great effect. His scripts are becoming
increasingly complex, with more moving parts in each story arc. Starr
keeps thing moving fast while not bogging the proceedings down with
endless recaps. Many strips lose a full panel every day bringing in
new or lapsed readers up to speed. Starr doesn't waste any time.
I
give this strip my highest recommendation. It really doesn't get any
better than this.
Junk
Food For Thought rating: 5 out of 5.
The
OCD zone-
Like
most strip books, this is presented in landscape format.
The
Sundays are presented here in black and white. They were originally
printed in color.
Linework
restoration: Excellent throughout.
Paper
stock:
Uncoated stock paper.
Binding:
Perfect bound trade paperback.
Cardstock
cover notes:
Cardstock coating has a matte coating that is resistant to scuffing.
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