SILVER
STREAK ARCHIVES FEATURING THE ORIGINAL DAREDEVIL VOL. 1 (Dark
Horse, First Printing, 2012; Hardcover)
Collects
Silver
Streak
#6-9 (cover dates September, 1940- April, 1941)
Writers:
Jack Cole, Kane Miller, Don Rico, Carl Hubbell, Otto Binder, Bob
Turner, D.B. Icove, Dick Briefer, Walter Galli, and Bob Wood
Artists:
Jack Binder, Dick Briefer, Jack Cole, Maurice Gutwirth, Hal Sharp,
John Hampton, Mac Raboy, Harry Anderson, Carl Hubbell, Dick
Dawson, Carl Formes, Walter Galli, Fred Guardineer, D.B. Icove,
Richard Norman, Kane Warren, and Bob Wood
The
Golden Age of collected editions has made spoiled brats of us all. I
remember a time when just the idea of obscure, expensive old comic
books beautifully restored and slapped between two hardbacks was
enough to send me into a tizzy. Fast forward a dozen years and there
are hundreds of collections of this material available for purchase.
The novelty of reading said old comics has entirely worn off for me.
They now have to impress me either through story or historical
significance.
Silver
Streak Archives Featuring The Original Daredevil Vol. 1 falls
flat on the story side, but the historical significance picks up the
slack. Lots of legendary creators were cutting their teeth here. Kids
who read this stuff at the time can say that they knew them when. The
original Daredevil was one of the best-selling superheroes of his
day, which seems curious considering that he is merely a footnote
today. Like many forty-somethings, I had never even heard of him
until Dynamite's Project Superpowers resurrected a slew of
public domain Golden Age superheroes, bringing them into the present.
Like
most Golden Age comics, this is an anthology series, with a series of
features in each issue that run the gamut. Also like many Golden Age
comics, this is not politically correct. One must understand the
societal mores of the time and look at it in a purely academic sense,
or risk being offended. I keep stuff like this well out of the reach
of my son, as I don't want to have conversations about racial
stereotypes from 75-odd years ago. And like many Golden Age comics,
it is amazing to see how folks seemed to be chomping at the bit for
us to get into what would become World War II.
Silver
Streak is the headliner, although he would soon be eclipsed by
Daredevil. Daredevil's first appearance in issue 6 shows his costume
as half yellow, half blue. This is changed to half red, half blue by
the following issue. The Claw, his arch-nemesis, seems to have
limitless power. It is almost Fletcher Hanks bad in terms of
believability.
Jack
Cole's Dickie Dean, The Boy Inventor!!! is highly
entertaining. The Pirate Prince is an excellent series
about “that swashbuckling, daring Robin Hood of the sea”. The
Pirate Prince robs pirates and frees the slaves aboard their ships,
which is something when you consider the rampant racism and lingering
resentment towards blacks in an era when people who remembered slaves
were still alive. There is a sense of decency and humanity as to how
blacks are portrayed here, which again flies in the face of many of
these old comics. It seems downright progressive, and makes me wonder
if a reboot of this series would work today.
The
rest of the strips are of the garden variety. You have your western
knock offs, your Tarzan knock-offs, your Buck Rogers
knock-offs, random G-man types, airplane/dogfight stuff, humor
strips, etc. None of them are remarkable but most are readable.
Old comics are often unintentionally funny. |
This
was an okay read that didn't bowl me over. Like I said, there was a
time when any old comics would rock my socks off. That ship has
sailed though, as I have read enough of them for me to not be
impressed by something solely because of it's age. I have Volume 2 in
this line and hope to read it someday.
Junk
Food For Thought rating: 3 out of 5.
The
OCD zone-
This book is light, weighing scarcely more than a pack of cigarettes.
I do not smoke, but my mother did. She used to send me to the store
on my bike to buy her cigarettes, back in the olden days when kids
could go to the corner store and pick up their parent's smokes and
everyone thought that it was a-okay.
Linework
and Color restoration: Perfectly serviceable restoration,
done by scanning original comics and then recoloring them with
computers and correcting line bleed, off-register printing, etc. I
appreciate the fact that Dark Horse put the time, effort, and money
into doing this when so many other publishers just scan 'em and slap
'em into hardcovers.
Paper
stock: I love the paper that Dark Horse started using in
their Archives back around 2010. It looks like old pulp comic book
paper but is super thick, high quality stuff. It is matte uncoated
stock and has zero sheen under any light source. Plus it has that
delectable Chinese sweatshop printing press aroma. I stop reading
every so often just to huff it. Oh yeah, that's the stuff...
Binding:
Smyth sewn binding. While the book block has room to flex in the
casing you need to use two hands to read this, as it does not lay
flat.
Dustjacket
and Hardback cover notes:
The dustjacket has a nice shiny lamination. The hardback has that
faux leather casewrap with die foil stamping for the lettering on the
cover and the spine.
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