THE
X-MEN
EPIC COLLECTION VOL. 1: CHILDREN OF THE ATOM (Marvel,
First Printing, 2014;
Softcover)
Collects
X-Men
#1-23 (cover dates September, 1963- August, 1966)
Writers:
Stan Lee and Roy Thomas
Artists:
Penciling by Jack Kirby, Werner Roth, and Alex Toth, with Inking by
Dick Ayers, Chic Stone, Paul Reinman, Vince Colletta, and Joe Sinnott
This
is not only the third time that I have read these issues, but the
third time that I have bought this material as well. Allow me
to explain. I owned the first three hardcover Marvel Masterworks many
moons ago but sold them when the hardcover Omnibus came out, as the
Omnibus boasted vastly superior linework and color restoration. The
Omnibus fell out of print, and when I saw how much it was going for I
dumped it a year or so ago and picked this book up. As long as I have
the material with the finest restoration I am fine. Plus, I honestly
enjoy the paper stock in this Epic over the one found in the Omnibus.
One of the creepiest Stan Lee plotlines ever. Professor X's crush on the teenage Jean Grey (Marvel Girl). This was thankfully dropped. |
OCD
upgradeitis/ eBay flipping exploits aside, I enjoyed this material
more the third time through. The X-Men were always the
red-headed stepchild of Marvel's Silver Age. Neither Stan Lee nor
Jack Kirby seemed to give this series much thought out of the gate.
Compare these issues to anything else that these two were doing
during the same cover month and you will see what I mean.
Kirby's
successor was Werner Roth. I disliked Werner Roth's artwork until a
couple of years ago, when I read his 1950's Atlas output. I still
feel like his style is not as energetic as Kirby's, nor as nuanced as
Ditko's, because he draws superheroes that look like regular people.
If you read this as a book about normal teenagers who happen to be
mutant superheroes his artwork makes more sense. He is a solid artist
that was ill-suited to Silver Age superhero comics.
Stan
Lee and Jack Kirby lay down the entire foundation for the series
here. Professor Xavier's School For Gifted Youngsters. Cerebro,
Professor X's mutant-detecting device. Magneto as well as the
Brotherhood Of Evil Mutants. Future Avengers Quicksilver and the
Scarlet Witch. The Blob. The Juggernaut. The Sentinels and the first
wave of anti-mutant hysteria that Roy Thomas and later Chris
Claremont would use to great dramatic effect. It's all here, even if
it isn't spit-shined or ready for prime time yet. Like I said,
neither Lee nor Kirby nor Thomas nor Roth made this series seem like
it was their priority. It falls short of every other book that Marvel
was publishing during this time. Reading this for the third time was
the charm, though, as I finally got what made it special to a small
group of fans back then. It was those fans who would become the
creators who would go on to make this one of Marvel's most popular
titles a decade or so later.
Junk
Food For Thought rating: 4 out of 5.
If you enjoy Magneto in the movies, thank Jack Kirby. |
The OCD zone- When I returned to comic books in 2003 after a thirteen year hiatus I discovered the Essential line, which were 500 page black and white phone books. At the time I wished that they were in color. The Epic line is an answer to my prayers. Five hundred page chunks of classic comic books at a reasonable price.
Linework
and Color restoration: The absolute best version of this
material, using the same files found in the Omnibus and
softcover Marvel Masterworks. Excellent linework and a color
palette that is faithful to the original comics.
Paper
stock: Matte coated stock of sufficient thickness and weight.
This is the same stock found in the softcover Marvel Masterworks
and Epic line books. This paper is my favorite paper used out
of any collected editions from any company.
Binding:
Perfect bound trade paperback.
Cardstock
cover notes:
Laminated cardstock cover.
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