FRONTLINE
COMBAT ANNUAL VOL. 2 (Gemstone, 1997;
Softcover)
Collects
Frontline
Combat
#6-10 (originally published by EC Comics, cover dates May/June, 1952-
January/February, 1953)
Writers:
Harvey Kurtzman with Abraham Lincoln (excerpts of historical speech)
Artists:
John Severin, Bill Elder, Wally Wood, Harvey Kurtzman, Jack Davis,
Alex Toth, and George Evans
Frontline
Combat is Harvey Kurtzman's baby, not so much an anti-war comic
as it was a hyper-realistic portrayal of the horrors of war. Comics
like this were extremely popular among those serving in the military.
Kurtzman, along with Al Feldstein, would go on to cement their names
in comic history with the creation of Mad Magazine not long
after this title.
Like
all EC Comics, the writing and artwork are superb, being head and
shoulders above the other comics of the day. The curious thing about
the war comics was the insistence on using hand lettering as opposed
to the Leroy stencil kit like every other comic that EC produced.
The
title was a war anthology. Issue 6's best was War Of 1812!, a
sobering if unpopular at the time portrayal of Native Americans.
Issue 7 devoted all four stories to the battle of Iwo Jima. Issue 9
focused entirely on the Civil War. Issue 10's Napoleon! has
some great George Evans artwork. Wally Wood is featured throughout
this book, and his art is always a treat.
Artwork by George Evans. Evans was a genius. |
EC
Comics are not only the greatest comics ever made, but they should
serve as a painful reminder of what happens when well-intentioned yet
misguided individuals go on a crusade “for the greater good”. The
lesson has been lost on young people today. Those who don't learn
from history are doomed to repeat it. Unintended consequences are
often hilarious because those who wanted it to happen end up
suffering by their own hands.
Junk
Food For Thought rating: 4.25 out of 5.
The
OCD zone-
Gemstone
overprinted their single issue reprints in the '90s with an eye
toward selling their own back issues. They re-purposed this overstock
by trimming and gluing 5 entire issues into a cardstock cover. While
this is not technically a trade paperback (it has no ISBN), it is
squarebound and has the title on the spine. Close enough for Rock and
Roll in my book.
Linework
and Color restoration: Shot from the original artwork with a
color palette authentic to the original publication. If you want to
see EC Comics in full color then this is the best way to do so, as
these look superior to the originals in print quality.
Paper
stock: Standard pulp paper of the day. The pro is that this
looks and feels like a real comic book. The con, and it is a very
large one, is that this will age and yellow, just like real comic
book paper. I am admittedly less and less worried about this sort of
thing as time goes by, as I will likely be dead and gone before this
book deteriorates too badly.
Binding:
Perfect bound trade paperback.
Cardstock
cover notes:
Thick cardboard with minimal coating. There are signs of wear after
years but all in all very solid.
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