AVENGERS/ X-MEN: BLOODTIES (Marvel, 2011; Hardcover)
Note:
Actually released in 2012
Collects
Avengers
Nos. 368, 369,
Avengers
West Coast
No. 101, Black
Knight: Exodus,
Uncanny
X-Men No.
307, and X-Men
No. 26 (cover
dates November, 1993- December, 1996)
Writers:
Bob Harras, Fabian Nicieza, Roy Thomas, Scott Lobodell, and Ben Raab
Artists:
Pencilers- Steve Epting, Andy Kubert, Dave Ross, John Romita, Jr.,
jan Duursema, and Jim Cheung; Inkers- Tom Palmer, Matt Ryan,
Tim Dzon, Dan Green, and Andy Lanning.
The 1990s were the gold rush for
comics, with everyone hopping on board the bandwagon. Speculators
were the norm, buying multiple copies of everything. Pretty much any
comic book could sell well in the '90s. Print runs were enormous, and
as such, these comics are essentially worthless and can be found in
every bargain box across the country. My son has a few of these
issues from dollar box diving and I read them to him. He wanted to
read parts I, III, and IV of this crossover. Luckily for him I had
this book rotting away in my backlog. To my 7 year old, these are
“old comics”. I fear that he may grow up believing that this
material is somehow classic.
This
is the follow up to the X-Tinction Agenda Fatal Attractions (thanks rifft!) crossover, another
hardcover which is rotting away in my backlog. Genosha's dirty little
secret is revealed, and the tensions between humans and mutates is so
thick that it is about to explode. Fabian Cortez kidnaps Crystal and
Quicksilver's baby, and Exodus steals the baby from him. Another
latter-day Metal-named group of villains, The Unforgiven, make a
brief appearance. I'm surprised that there wasn't a villain named
Overkill or Obituary. Lots of scratchy artwork and horrid over
writing later and both Avengers and X-Men fight side by side to
restore freedom to the mutates. Some bad costume redesigns and many
pouches later and victory goes to the heroes.
Junk
Food For Thought rating: 3 out of 5.
The
OCD zone- The late, great, lamented Marvel Premiere Classic line
was a sort of junior Masterworks line, where modern material was
presented in a high quality format but at a much lower MSRP than the
Marvel Masterworks. The line reached well over 100 books but
petered out for reasons too varied for me to even begin to guess.
DVD-style
Extras included in this book: Fully rendered
back dustjacket cover art (1 page).
Maximum
Anniversary X-Perience (insert included in most Marvel Comics
with a May, 1993 cover date) (14 pages).
Uncanny
X-Men #307 Gold variant cover (1 page).
The
Hunt For Magneto trading cards, shown 9 per page with the backs
being shown on the opposite page (4 pages).
Avengers/
X-Men: Bloodties 1995 trade paperback cover by Klaus Janson (1
page).
Avengers/
X-Men: Bloodties 1995 trade paperback introduction by Ralph
Macchio (1 page).
X-Men
Anniversary Magazine (1993) cover by Brandon Peterson & Dan
Panosian (1 page).
Avengers
Anniversary Magazine (1993) cover by Steve Epting & Dan
Panosian (1 page).
Marvel
Age #122 cover by Joe Quesada, P. Craig Russell, & Joe
Caponacco (1 page).
Marvel
Age #122 cover by Kirk Jarvinen, Brad Vancata, & Michael
Kraiger (1 page).
Marvel
Age #122 inside back cover by Darren Auck & George Perez (1
page).
Marvel
Age #129 cover by Adam Hughes (1 page).
Marvel
Age #129 X-Men Anniversary insert poster by Liam Sharp, Mark
Farmer, & Renee Witterstaetter (1 page).
Marvel
Age #130 Avengers Anniversary insert poster by Liam Sharp, Mark
Farmer, & Renee Witterstaetter (1 page).
Ramification
“Bloodties”: The Avengers/ X-Men Crossover article from
Marvel Age #129 (3 pages).
Linework
and Color restoration rating: 5 out of 5. Things are about as
good as they can get. This is '90s material, so it will never look
good no matter which restoration techniques are used.
Paper
rating: 5 out of 5. Beautiful, thick coated stock with a slight
sheen. Compare this paper grade to what Marvel is using nowadays and
you will see why folks are up in arms.
The
paper used in this book has that sweet smell that only virgin Amazon
rainforest trees can provide. The ink adds a delectable scent to it,
a concoction of broken asbestos tiles, lead paint chips, mercury from
recalled thermometers, and the secret ingredient: the blood, sweat,
and tears of the Chinese children working the sweat shop printing
presses. Sure, China has no regard for the environment and their
people are forced to live in a smog filled environment under an
oppressive Communist regime, but who cares about any of that so long
as we get nice books at a price that we are willing to pay. What
price a soul?
Note: New readers seem to be confused by my writing. No, I do not know for certain that the paper is sourced from virgin Amazon rainforest trees. Then again, I do not know for certain that they are not. Second, I am fairly sarcastic and this is tongue in cheek. If you take half of the stuff that I say seriously then you are missing the point. This is all shits and giggles as far as I am concerned. Relax, folks.
Binding
rating: 5 out of 5. Smyth sewn binding, six stitches per
signature, with the book block having room to flex in the casing.
What that means in English is that the book lays flat.
follow-up to Fatal Attractions
ReplyDeleteWhoops! Corrected.
DeleteLike your son, I procured a few of the issues from this crossover from bargain bins in the early days of my comic-collecting. I was missing various parts of the story, though, and it was fairly unintelligible. Being older and wiser now, I suspect that would have been the case even if I'd had all the issues.
ReplyDelete