NEW MUTANTS CLASSIC VOL. 6 (Marvel, 2011; Softcover)
Collects
New
Mutants
Nos. 41-47, New
Mutants Annual
No. 2, and Uncanny
X-Men Annual No.
10 (cover dates July, 1986- January, 1987)
Writer:
Chris Claremont
Artist:
Jackson Guice, Alan Davis, Arthur Adams, and Steve Purcell
(pencilers); Terry Austin, Kyle Baker, and Whilce Portacio (inkers)
Chris
Claremont was and is a great comic book writer. It is fashionable to
bag on the man's work today. Tastes change, times change, things go
in and out of style, but quality art is quality art in my opinion. We
should all appreciate Claremont while he is still around. I can
remember people bagging on Kirby in the '80s, but nowadays he is a
sacred cow. Once Chris Claremont is dead and gone everyone and their
brother will be proclaiming their love for his work. Well I'm saying
it here and now: I love Chris Claremont's writing.
Claremont's
run on The New Mutants is a precursor of sorts to many
“mature” comic books. Not because it is overtly sexual or
violent, but because it is so character driven. The New Mutants were
the junior X-Men team, teenagers who were out of place everywhere but
with their own kind. This was extremely identifiable for me as a
teenager, even if I only sporadically read this title back when it
was originally published.
Alan Davis rules. |
The
Cypher/ Warlock friendship was so bold in it's gossamer thin veil
of homosexuality. For all intents and purposes, they were gay during
a time when such a thing was shocking. Warlock, an alien
techno-organic being, was afraid of infecting Cypher (Doug Ramsey)
with his techno-organic virus, a metaphor for STDs perhaps? Claremont
quickly back-peddled, writing in Psylocke and making her a crush for
Doug. I am guessing that this was done to appease higher ups, as it
seemed to come in right after some pivotal moment of friendship
between Warlock and Doug. It is refreshing to see the original
British, non-Asian ninja Psylocke. Jim Lee would crap up the
character beyond repair during his overrated run on the X-Men a few
years later.
The
first few issues in this book focused primarily on one team member
each. Issue 45's teen suicide story is great and worth mentioning as
well. The Annuals are a crossover where Mojo and Spiral try to
kidnap and enslave each team. The Uncanny X-Men Annual
features a Claremont pet theme: reverting the X-Men to childhood. It
also features the debut of the horrible X-Babies. Cutesy stuff like
that is totally lame and stupid, but these are a fan favorite. Not I
said the fly.
The artwork is great throughout this book, with Jackson Guice (pencils) and Kyle Baker (inker) doing quality work. Alan Davis handles The New Mutants Annual while Arthur Adams does the art for the Uncanny X-Men Annual. I was not a fan of Art Adams in the '80s but his modern day stuff is fantastic. Alan Davis is a genius, plain and simple. His artwork is simple and elegant, and his action sequences are almost without peer.
Tom
Orzechowski deserves a shout out. His hand lettering is great. I
would buy a computer font of it if I could. He is lettering royalty.
It really is a lost art here in the computer font lettering era of
comic books.
Marvel
has been releasing these trade paperbacks at a clip of one per year.
I'm well into Volume 7 as of this writing and hope that Vol. 8 will
see the light of day this year.
Junk
Food For Thought rating: 5 out of 5.
The
OCD zone
Linework
restoration rating: 4.5 out of 5. The restoration is solid throughout
most of the book. There are a few rough spots here and there, but
most folks won't notice them as they aren't too bad. There is visible
pixelation on Page 37,however. I wonder if this was the result of
300dpi scans...
Color
restoration rating: 5 out of 5. The original color palette is
faithfully maintained.
Paper
rating: 5 out of 5. I love this lightweight dull matte finish
coated stock in softcovers. This is the same grade used in the
softcover Masterworks.
Binding
rating: 4 out of 5. Glued binding is par for the course in
softcovers.
Cardstock
cover coating rating: 5 out of 5. I love love love the thick
waxlike coating that Marvel uses on their cardstock covers.
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