Showing posts with label Lev Gleason Publications. Show all posts
Showing posts with label Lev Gleason Publications. Show all posts

Thursday, August 31, 2017

Review- CRIME DOES NOT PAY ARCHIVES VOL. 4



CRIME DOES NOT PAY ARCHIVES VOL. 4 (Dark Horse, First Printing, 2013; Hardcover)

Collects Crime Does Not Pay #34-37 (cover dates July, 1944- January, 1945)

Writers: Dick Wood, Dick Briefer, and other, unidentified writers.

Artists: Robert Q. Sale, “Irving” (identity unknown), Dick Briefer, Rudy Palais, R.W. Hall, Art Gates, C.L. Hartman (as Art Mann), Alan Mandel, and other, unidentified artists, with cover art for all issues by Charles Biro.



The title is still climbing the mountain in this book. The writing and artwork all vary wildly in terms of quality, with some of it being brilliant while other stories are about as interesting as watching paint dry. I've read the Crime Does Not Pay Primer trade years ago and know that there is some great stuff on the horizon.



Mister Crime is the host of the series, breaking the fourth wall and talking to the reader while the characters in the stories remain unaware of his existence. All of the stories in this book are based on true stories.



This title was a precursor to our current day sensationalist culture which thrives on watching trainwrecks and car accidents. The criminals were the “stars” of the series, although they always receive their due at the end of each story. The title spawned so many imitators that by 1950 that by the end of the decade one in seven titles on the stands were crime comics.

Lev Gleason and Bob Wood were both characters in real life. Do a bit of research on them. Gleason was a Progressive fanatic, spending his fortune as quickly as he made it. Bob Wood wound up committing a crime as gruesome as any found within the pages of the comic. Life imitating art.



Dark Horse has scuttled this line of Archives, canceling the solicited Volume 11 and never soliciting the announced Volume 12. They weren't big sellers, which is a shame. Gwandanaland Comics, a company which uses scans of public domain comics found on the Internet and publishes them via Amazon's CreateSpace platform, has finished the series across fourteen softcovers. I have seen one of them at a friend's house and am considering picking them up at some point.

This was a good if uneven read. The better material is still in the future of the title. It's just a damn shame that sales weren't enough to support this line of books to see it through to the end.
Junk Food For Thought rating: 3.5 out of 5.

The OCD zone- The Dark Horse Archives are narrower than the original comic books.
Linework and Color restoration: Solid “frame up” restoration done off of scans of the original comics.
Paper stock: Thick uncoated stock. It has a creamy off-white color, being close to Mint condition pulp paper in appearance while being of sufficient thickness that it feels like 'Archival' quality paper.
Binding: Sewn binding which is stiff and does not lay flat. This book is light and small enough where it is not an issue.



Dustjacket and Hardback cover notes: Nice faux leather casewrap with die foil stamping. Dustjacket has a decent lamination.


Friday, February 24, 2012

Review- Crime Does Not Pay: Blackjacked and Pistol-Whipped


CRIME DOES NOT PAY: BLACKJACKED AND PISTOL-WHIPPED (Dark Horse, 2011; Softcover)

Collects selections Crime Does Not Pay Nos. 23, 25, 26, 30-32, 41, 42, 48, 50, 53-55, 57, 59-61, 64-67 (cover dates September, 1942- September, 1948)

Writer: Unknown

Artists: Bob Montana, Alan Mandel, Dick Briefer, Carmine Infantino, Rudy Palais, Robert Sale, Jack Alderman, Dan Barry, George Tuska, Fred Guardineer, Paul Parker, and Ed Moore

I bumped this one way up in the backlog because I wanted to make sure that I liked the material before committing to yet another line of high end hardcovers, and you know what? Crime Does Not Pay rules! 


There is an excellent introduction in this book on the history of both these comics in relation to popular culture of the day (i.e. pulps, film noir) and the impact that this title had on comic books as a whole. Did you know that this was the best selling title in it's day? Yup, it even outsold Superman and Batman. The history of the publishers and creators also offers tremendous insight into the mindset behind this title, and the stories about the creators themselves are equally amazing. 


While this title was a “preachy”, it offered tons of violence and murder, so as to deter impressionable youth from a life of crime. I love how inappropriate old comic books and cartoons are. If this were marketed to, or sold to, children today, Faux News would have a field day with it. I often chuckle when reading Golden Age comic books because of how neutered and politically correct we as a society have become. It's fun to see people “get theirs” because, after all...CRIME DOES NOT PAY!


One of the things that I noticed while reading this was how slow law enforcement responded to crimes back then, the result of a lack of technology. It seems so simple to fake a new identity and make a run for it back then.

These are based on true stories, but as the introduction states, there are liberties taken with the facts. While some of these issues are historically accurate, others have minor facts altered. This was 220+ pages and it wasn't enough. I want more more more! I can't wait for the Archives.


The OCD zone- I absolutely love this new paper that Dark Horse is using in their Archives. While it doesn't lay flat, it feels and smells wonderful. They used that same paper here in this high quality trade paperback. Sewn binding and a cardstock cover with fold-out flaps help give the cover an extra thick and extra durable feel. The restoration is excellent, and the uncoated paper stock gives it an authentic comic book feel while the weight maintains the luxurious feel that I have come to expect from collected editions. It's the happy medium that fans have been clamoring for.

Not really an OCD issue but rather an aesthetic one, I dislike the faux weathering on the cover. I will never understand people's desires to see things artificially distressed, be it this book or those lame fake distressed concert shirts. I love things that are genuinely distressed through use, wear, and love, but not the fake scratches and coffee splotches like you see on the cover of this book.

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