Showing posts with label Frank Bellamy. Show all posts
Showing posts with label Frank Bellamy. Show all posts

Saturday, April 4, 2015

Review- FRANK BELLAMY'S KING ARTHUR: THE COMPLETE ADVENTURES


FRANK BELLAMY'S KING ARTHUR: THE COMPLETE ADVENTURES (Book Palace Books, 2008; Flexi-cover)

Collects the King Arthur And His Knights comic strip from Swift Vol. 2 #31-53 and Vol. 3 #1-18 and the Swiss Family Robinson strip (cover dates October 9, 1954- May 5, 1956)

Writer: Clifford Makins (King Arthur And His Knights) and Johann Wys (Swiss Family Robinson)
Artist: Frank Bellamy

Frank Bellamy rules! He is a legend in the UK but is largely unknown to us colonists. This book collects his entire King Arthur And His Knights strip as well as 31 of his 40 Swiss Family Robinson strips. Why only 31 of them, you ask? Who knows! At one time I would have stared at the ceiling and gone downstairs and ordered it in the middle of the night, but nowadays I don't care enough to upgrade anymore.


King Arthur And His Knights is a lot of fun, with tons of medieval action with zero humor and snark. Swiss Family Robinson was Bellamy's first steady strip, and while it lacks the polish of his later stuff his talent was already apparent. Lesser Bellamy is better than many artists' best work.



These Book Palace Books are expensive and not easy to find if you live Stateside. If you don't enjoy paying exorbitant international shipping charges then there aren't many places to find these books other than Bud Plant. Still, they are always top notch affairs and worth the money and the hunt.
Junk Food For Thought rating: 5 out of 5.

The OCD zone- Not quite a hardcover yet not quite a softcover, this flexicover is pretty nice overall. It's more malleable than a hardback yet more durable than a softcover.
Linework restoration: Cleaned up scans. They look very good overall.
Paper stock: Matte coated stock.
Binding: Smyth sewn binding. Binding is tight but loosened up considerably while reading.
Flexi-cover notes: The cover has a dull matte finish and is resistant to scuffing. 

Tuesday, July 1, 2014

Review- FRANK BELLAMY'S HEROS THE SPARTAN


FRANK BELLAMY'S HEROS THE SPARTAN (Book Palace Books, 2013; Hardcover)

Collects Heros The Spartan comic strips, (Books 1, 2, 4, 6, and 8) originally published in Eagle on October 27, 1962- October 26, 1963, June 9- October 17, 1964, and June 6- October 17, 1965 and the Eagle Annual September 1965

Writer: Tom Tully

Artist: Frank Bellamy

Limited to 720 copies worldwide, this deluxe hardcover has made me a convert to The Church of Bellamy. Once you see the light you too will begin hunting down all of these expensive, obscure British books. I have quite a collection of them going now. Kill me.


Heros The Spartan is, obviously, a Spartan from Rome. His adventures see him encountering Jackal-Men, sea serpents, armies of giants, monsters, pagan god cults, and Druids while taking him as far as Libya. This is incredible fantasy stuff. Being British, there is way more violence than American comics would allow at that time.



You know what I really loved about this strip? The complete lack of humor and snark. No crappy one-liners, no self deprecation or any of that other crap. Those things have helped ruin comics.


Bellamy's artwork is breathtaking. It is honestly quite distracting. I would have to pore over each double-page spread strip, read it, and then go back and gawk for a while. It took me six months to finish this book because of that.




Stuff like this makes 99% of comic books published seem like amateurish crap. This is high adventure that is also high art. This strip belongs on walls in museums. Forget chase variants and crossovers and pick up Heros The Spartan! You can thank me later.
Junk Food For Thought rating: 5 out of 5.

http://www.instocktrades.com/

The OCD zone- This strip was originally published as a two page centerfold. There is some slight gutter loss here and there, with this example being the worst.
The absolute worst case scenario in terms of gutter loss. The rest of the book is quite good in this regard.
Sometimes there is zero loss, other times very very minor, other times maybe 1/8”, and the worst being slightly more. This wouldn't annoy me as much as it did if the word balloons didn't cross the gutter in the books. Sometimes a letter of a word gets swallowed, and the worst case scenario (seen above) is two letters get lost. It is still readable but it takes a second of guesswork. It didn't detract from the quality of the story but it did annoy me. 
The only other complaint that I have is that is that Books 3, 5, and 7 were omitted because Luis Bermejo handled the art duties. Bermejo is great in his own right and I would love to see these strips as well. Book Palace made a judgment call to go with Bellamy strips only with this book. The disruption in story is only momentary, as the weekly strip was designed in such a way as to let anyone walk in at any time and get it. It is really a lost art form.

DVD-style Extras included in this book: Foreword by John Byrne. (2 pages)
Foreword by Dave Gibbons. (2 pages)
Foreword by Walt Simonson. (2 pages)
Foreword by Ken Steacy. (1 page)
Foreword by John Watkiss (1 page)
Introduction by Norman Boyd. (8 pages)
Lighting The Darkness: An Insight Into The Life And Work Of Frank Bellamy, loaded with rare unseen artwork, full page sample strips of other Bellamy work, and an interview from the 1970s by Dez Skinn and Dave Gibbons. (37 pages)

Linework and Color restoration rating: 5 out of 5. These were mostly scanned from original art boards, meaning that this material has never been seen by the general public in this quality and detail. Think of it as a frame by frame restoration of a classic movie, finally available on Blu-Ray disc.

Paper rating: 5 out of 5. Incredible thick dull matte finish uncoated stock, although it is very smooth feeling. Whatever sorcery they used to make this paper, or no matter how many virgin Amazon rainforest trees the Chinese paper mills used to make it do not matter so long as I have a book as beautiful book like this. I am of course kidding...or am I? Face facts, folks- if you collect dead tree editions of books then you can't be that concerned about the environment, can you?

Binding rating: 5 out of 5. Smyth sewn binding, ten stitches per signature. The book lays completely flat from the first page to the last, which is a godsend given how massive it is! (11 X 14 inches, or 270 mm X 360 mm for my friends out there in the non-English units of measuring system world outside of the United States.)

Hardback cover coating rating: 5 out of 5. The image is printed on the casewrap; no dustjacket provided. The images are spot varnished and semi-glossy, while the solids have a dull matte finish coating which seems fairly impervious to scuffing.

Sunday, December 8, 2013

Review- THE DAILY MIRROR BOOK OF GARTH 1975 ANNUAL


THE DAILY MIRROR BOOK OF GARTH 1975 ANNUAL (Fleetway/ IPC, 1974; Softcover)

Collects the following Garth strips, originally published in The Daily Mirror newspaper: The Orb Of Trimandias (January 28- May 22, 1972), Ghost Town (April 11- July 12, 1973), Cloud Of Balthus (October 12, 1971- January 27, 1972), The Women Of Galba (December 27, 1972- April 10, 1973), Sundance (July 11- October 11, 1971), and Wolf Man Of Ausensee (May 23- September 6, 1972)

Writer: James Edgar

Artist: Frank Bellamy

A pox upon the denizens of the Masterworks Message Board! On the surface that site is a place where collected editions obsessives congregate to banter about books, play “fantasy football” by mapping out wishlist future volumes, and complain and nitpick about linework, restoration, and binding. Scratch the surface, though, and you'll find some stalwart collectors lost in an addiction spiral, encouraging and enabling one another in their endless acquisition of books. Sure am glad I'm not one of them. Heh. One such thread pointed out Book Palace's Heros The Spartan hardcover, which I have in my possession and will open on Christmas. When I stumbled upon the thread I was absolutely blown away by the artwork of Frank Bellamy. An evening of researching his body of work resulted in my bidding on, and ultimately winning, this book. 


Garth is a long running comic strip that was found in the UK newspaper The Daily Mirror. This book just sort of begins, with events presented in a way that readers should already be well aware of the premise of the strip. I don't know, this series may have been popular in England, but I cop an attitude with any comics that take it for granted that a reader should already know what is going on. 


Garth's hyper sensitive psyche causes him to slip in time via a time spiral, with his psyche inhabiting the body of others at various points in time. In The Orb Of Trimandias Garth's psyche journeys to 16th century Venice. In Ghost Town he journeys to 19th century Colorado. Meanwhile, Cloud Of Balthus finds Garth encountering the alien species the Cariads, who have kidnapped all of the astronauts aboard a NASA space platform. Garth journeys into space to rescue the astronauts while helping a Chinese spy ring steal scientific secrets. This feels an awful lot like Moonraker, the James Bond novel and movie. 


The Women Of Galba finds Garth dealing with an alien group of Women's Libbers, helping them depose the tyrant Osmer but cutting their husbands off. In Sundance, Garth becomes a US Cavalryman in 19th century Colorado. Kotalo, greatest of all of the medicine men, has a vision of a tall white eyed man flying in the belly of an iron bird. Garth tries to prevent war between Sitting Bull and General Custer, but ultimately Garth cannot change history, merely experience what others have already lived. 


The cover of this book is what grabbed me, and the story which it was based on certainly did not disappoint. Wolf Man Of Ausensee is a story about Garth saving a movie star from an attempted jewel theft after a movie premiere. The actress, Gloria Delmar, invites Garth to her friend's 300 year old castle in Austria. Castle Schloss Ausensee is owned by Conrad Von Ritter...who, it turns out, once sought Gloria's hand in marriage. Garth senses something is amiss in the castle's tower, and he is correct. It is Conrad's brother, Gunther, who suffers from the family curse and is a werewolf. 

 
These strips are all incredibly well written and drawn. There are adult overtones throughout the book, with double entendres abound. I really enjoyed this book and hope that Book Palace reissues more Frank Bellamy stuff. I'd also be up for a comprehensive, chronological, complete hardcover Garth Archives-type line.
Junk Food For Thought rating: 5 out of 5.

The OCD zone- A few of the strips in this book originally contained nudity and were altered or omitted for the publication of this book.

The contents page omits the letter 't' from the title of Cloud Of Balthus.

The last two strips of The Women Of Galba are omitted.

Special thanks to Norman Boyd for his helpful and friendly email which helped me in my research.

I scored this book for relatively cheap ($23 US) on eBay. Upon it's arrival, I noticed that this book stunk. Not the old, mildewy smell of mouldering pulp paper which I find appealing, but the musty, blacker than black moldy smell found on books stored in damp conditions. It gave me a headache and made me sneeze. I was heartbroken at the prospect of not being able to read this. 


Undeterred, I set out for the hardware store and informed the employee that I needed a mask that would shield me from mold spores. I needed to be able to breathe for long periods of time while working with mold. The friendly staff pointed me to this face mask with a respirator. 


As you can see, this worked. My wife came downstairs and found me like this. She snapped a picture before bursting into laughter. I realized after looking at this picture that, to an outsider, I may appear to be insane. It all makes perfect sense to me, though. This book is segregated from the rest of my collection for fear that it will infect the rest of my beloved tomes.

DVD-style Extras included in this book: None.

Linework and Color restoration rating: 5 out of 5. There are two pages that look iffy. One is printed too dark, one too light. This could be a printer error and not a restoration error.

Paper rating: 3.5 out of 5. Decent weight uncoated stock. The paper is yellowed, which is exactly what I fear will happen to all collected editions with shoddy paper.

Binding rating: 4.5 out of 5. Glued binding that has held up remarkably well, especially considering how old and how weathered this book is. This book has clearly been read and loved over the years.

Cardstock cover coating rating: 3 out of 5. This cardstock cover is beat. The previous owner(s) obviously left it in direct sunlight, as it is faded. The coating, if any, was minimal and has all but worn off with the seemingly endless handling that this book has had.