Collects
Dauntless
Durham Of The U.S.A.
daily strips from January 22, 1913-January 31, 1914
Writer
and Artist: Harry Hershfield
Harry
Hershfield's vaudeville melodrama is a charming snapshot of a world
long gone. It was a backward looking piece even in it's day, with
ironic takes on villains of the late 19th century. Durham
seeks the hand of his beloved Katrina in marriage. At first Lord
Havaglass was trying to steal her away, but he was soon replaced with
Desmond, the star of Hershfield's previous strip Desperate
Desmond. This is when the series really gets going.
Desmond
launches one caper after another trying to steal Katrina away. I mean
he literally tries to steal her away, as kidnapping must not have
been as frowned on back then as it is today. The capers and pissing
contents between Durham and Desmond run the gamut of the absurd.
There is a real charm to this strip.
Unlike
many strips of the era, minorities are portrayed across the board as
a melting pot, with stereotypes used as less caricature or more
characteristic. There is a huge difference, as one is intended to
offend and the latter offends because times and society has changed.
One must use proper historical context when reading old material,
because nothing from the past can measure up to the values of 2019.
I learned a lot of words when reading this book. |
It
is fascinating to see then-current events referenced (the new buffalo
nickels, Hoover Dam, and many more). Old slang and old songs are
referenced as well, and I had a blast using Google and YouTube to
experience these as I read the book. It is incredible to be able to
add an extra layer of reference to this material in a historical
context.
This page is not in this book, but I provide it to demonstrate how this strip looked when originally published. Old newspapers were huge. |
Volume 194, No. 2 of The Official Gazette Of The United States Patent Office lists a claim use date of January 22, 1913 for this strip. American Newspaper Comics by Allan Holtz confirms this date as the start of this series. The Buffalo Enquirer ran the intro strip on January 25, 1913 with the story beginning on Monday, January 27, 1913. Pinning down dates on old strips is a wild game of dice, as syndication often meant that strips appeared on different days in different markets. (Thanks to Brent Swanson and Buddy Lortie of the Sunday newspaper comics 1890-1950 Facebook group for providing the answers for the second and third sentences of this paragraph.)
This
strip ended when Hershfield created Abie
The Agent, the long
running strip which he is most remembered for. There is a nice happy
ending to wrap things up. This strip is
all but forgotten. Indeed, I wouldn't have even heard of it had I not
checked Art Out Of Time
from my local library and been exposed to it. I hope that Library Of
American Comics will reprint this in one of their LOAC Essentials
books, as that is the ideal format for this vintage of strip.
The
OCD zone-
This
is the part where I go into tactile sensations and materials used in
physical media. Those with heart conditions, high blood pressure, or
women who are pregnant should exit my blog at their earliest
convenience, as their safety cannot be guaranteed beyond this point.
Linework
restoration: The primitive reproduction methods used in the
stone age of 1977 yielded surprisingly decent results. I know that
Library Of American Comics or one of the other publishers could do
better today, but credit where credit is due. There area few spots
that are bad in this book but given the tools that neanderthal 20th
century man had to make this book with I would say that this is a
good restoration job for the time and serviceable by 2019 standards.
Paper
stock: Matte stock.
Binding:
Sewn binding that has held up pretty well.
Hardback
cover notes:
You don't see textured casewrap like this anymore. Primitive man
feared nuclear annihilation from Russia and used production methods
that ensured that their books would survive the nuclear winter.
No comments:
Post a Comment