RUSTY
RILEY VOL. 1: DAILIES 1948-1949 (Classic
Comics Press, First Printing, 2014; Hardcover)
Collects
the Rusty
Riley
daily strip, originally published on January 26, 1948- November 29,
1949.
Writers:
Rod Reed and Frank Godwin
Artist:
Frank Godwin
Rusty
Riley was something that I had never even heard of until this
book was released. A long-forgotten strip by a criminally forgotten
artist, it is a quaint snapshot of a bygone era. It was nostalgic
even in it's day, as rural life was on the decline during the
post-World War II housing boom. Rural communities became suburbs as
city cores were filled to overflowing. The story hearkens back to a
simpler time of rural life and horse farms, where we are introduced
to orphan Rusty Riley.
The
beginning of this strip feels like you have walked in late to a film,
with Rusty thrust immediately into an altercation with Junior Norton,
which sets off a chain of events that end up having him adopted by
Mr. Miles due to his natural ability with his horse, Blaze. That race
horse almost becomes the focal point in the strip, with all of the
happenings sort of centering around him. The arc which stuck with me
the most is the one where Tex, Rusty, and Patty are trying to outrace
a snowstorm. I really had to stop and think about how hard life was
in an era before salt trucks and snow plows out in the country. They
had to put chains on their tires and the roads were blocked by huge
snow drifts which came across the wide open fields. It was literally
life and death out there back then, whereas now the “struggle” is
standing in line at Kroger during a snowstorm when everyone is
loading up on snacks.
The
final arc in the book has a radically different tone, being more of
an adventure than the quiet, subdued vibe of the earlier arcs. Rusty
ends up stumbling onto a smuggling ring and things get interesting
fast. This ends the book on a high note and I hope to someday see a
Volume 2 as well as a Sundays collection. The Sunday strips are not
collected here because they are a different story as well as a
different format than the daily strips.
Godwin
is an artistic genius. His style reminds of old wood cut drawings,
super detailed with line atop of line providing more shade and depth
than color could ever hope to do. His style changes throughout this
book, with him taking some shortcuts toward the end. The strip ran
until 1959, and I hope to ___ (deity of your choice) that someone can
convince Charles Pelto to give another volume a go. I would guess
that the best way to convince him would be for you to buy a copy of
this book. I've done my part. Don't let this lost classic remain in
the hands of collectors, squirreled away and not seeing the light of
day. The best part of these collections is that they bring the
expensive, the obscure, and the forgotten back into the public eye
and allow newer generations of fans to discover them.
Junk
Food For Thought rating: 4 out of 5.
The
OCD zone-
Like most strip books, this is presented in landscape format. It
allows the artwork to be presented at a larger size than it would be
in a standard book.
My
only gripe with this book is that the strip for 12/21/1948 was
omitted, with the strip from 12/22/1948 appearing twice. It would be
nice if they posted the missing strip on their website so that you
could print out a tip-in sheet.
Linework
restoration: Excellent.
Paper
stock: Medium weight uncoated stock, zero sheen under any
light source.
Binding:
Smyth sewn binding, lays flat.
Dustjacket
and Hardback cover notes:
Dustjacket has lamination on it, hardback has a standard paperwrap
with the logo screen printed on the spine.
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