LEONARD STARR'S MARY PERKINS ON STAGE VOL. 4 (Classic Comics Press, 2008; Softcover)
Collects
Mary
Perkins On Stage
strips originally published on June 13, 1960- September 17, 1961
Writer
and Artist: Leonard Starr
Another
outstanding read! This time out Mary Perkins finds a maid, or rather
the maid finds her. Daisy Collins becomes Mary's self-appointed maid,
and while it seems like she is up to no good at times she ends
becoming a good friend of Mary's. Mary gets a big break when she ends
up on the Julep Tandy Show. This leads to a quick vacation for Mary
where she and husband Pete Fletcher run into Johnny Q.
From
there we get some occult-tinged fun by way of Amory Goodfellow, a
writer who consults tarot cards, zodiac signs and all other manner of
gobbledygook that was entering the mainstream lexicon in the 1960s. I
know that my Mom still had a badass zodiac sign wall hanging in our
living room in the '70s and '80s. Then Mary meets film legend Coby
Kincaid, a country boy at heart who is reluctant to play the game and
wants out in the worst way.
Starr's sense of pace is brilliant. He writes in arcs while introducing an element for the next one, building it up so that by the Sunday strip an entirely new storyline is under way. His artwork is also beyond great. I am sucker for photo realism, and he delivers it in spades.
I
started reading this series around the same time as my friend, and
while I have been bouncing between this and many other things he has
been plowing straight through, unable to read anything else. I can
certainly see why. It is difficult going from a strip that is the
whole package to reading other, often inferior comics.
Junk
Food For Thought rating: 5 out of 5.
The
OCD zone-
Like
most strip books, this is presented in landscape format. It takes
some getting used to reading a book this wide, but the material more
than makes up for it. Plus the artwork is much larger than it would
be if they released it in a standard format book.
Linework
restoration: Compiled from many sources such as original art,
proofs, etc. The nipple line is removed and many of these strips are
more complete than they were at the time of original publication.
There are some rough spots here and there, undoubtedly the result of
a lack of quality source material. Things look good for the most part
but there are a few spots that are not up to the restoration quality
found in the first three books.
The
Sundays are presented here in black and white. They were originally
printed in color.
Paper
stock: Uncoated stock paper.
Binding:
Perfect bound trade paperback.
Cardstock
cover notes:
Cardstock coating has a matte coating that is resistant to scuffing.
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