MARVEL MASTERWORKS: FANTASTIC FOUR VOL. 13 (Marvel, 2011; Hardcover)
Collects
Fantastic
Four
#129-141 (cover dates December, 1972- December, 1973)
Writers:
Roy Thomas (#129-133, 136, 137) and Gerry Conway (#133-141)
Artists:
John Buscema, Ross Andru (#131), Ramona Fradon (#133), and Joe
Sinnott (Inker)
The
early Bronze Age seems downright quaint by today's event driven
comics standards. While some of the writing may come off as overly
wordy to modern audiences, it is the nuances afforded by the third
party narrative which allowed more characterization in far less
space. Some of the dialogue is dated and cringe-worthy but that is
easily overlooked when one considers how cringe-worthy so much modern
comic dialogue is.
There
is a lot going on, with appearances by the Inhumans, Miracle Man,
Dragon Man, and The Frightful Four. The break-up of Johnny (the Human
Torch) and Crystal of the Inhumans is finalized in this book, setting
the stage for her eventual marriage to Quicksilver. The Frightful
Four get a new member in Titania, who will go on to be a major
supporting cast member in the Thing's solo team-up series, Marvel
Two-In-One.
#136
and 137 features Roy Thomas 1950s nostalgia porn. I can't condemn the
man for it too much, seeing as how everyone eventually looks back to
certain eras with fondness. I just don't care much for the popular
culture of the 1950s outside of the comic books published in that
time.
Gerry
Conway takes over the writing of this title, which is crazy when you
consider that he was 19 or 20 years old at the time. Can you imagine
the suits doing that today? It would be impossible for Conway to do
what he did with the umpteen levels of editorial and marketing that
each and every thing must get past nowadays. It's one of the main
reasons why Bronze Age comics have a breath and life to them that
makes them bounce. Modern comics have a sterile, calculated feel to
them that feels boring and stale to me.
One
of the nice things about being so far behind on my reading is that
Vols. 14-16 are already aging to perfection in my backlog, with Vol.
17 to be added upon release this June. Make Mine (old) Marvel!
Junk
Food For Thought rating: 4.5 out of 5.
The
OCD zone-
Marvel
Masterworks are
my poison of choice. For Masterworks
of
this book's vintage, rest assured that this is the definitive Blu-Ray
edition of this material. No line bleed or off register printing. No
mouldering pulp paper. The art and the colors look like the artists
intended and are not hampered by primitive printing processes.
Linework
and Color restoration: Think of the
post-2007 Masterworks as
definitive Blu-Ray editions, with painstakingly restored linework and
a color palette that is 100% faithful to the source material.
Paper
stock: Thick coated semi-glossy coated
stock that has that sweet, sweet smell that all Chinese manufactured
books have. I theorize that this delectable aroma is caused by the
toxic stew of broken asbestos tiles, lead paint chips, heavy metal
industrial waste, and mercury from recalled thermometers combined
with the blood, sweat, and tears of the Chinese children working the
sweatshop printing presses. The frosting on this delicious cake scent
is the paper which is likely sourced from virgin Amazon rainforests.
Binding:
Rounded
book casing and Smyth sewn binding allow this book to lay completely
flat in one hand as Godzilla intended.
Hardback
notes:
Faux leather grain texture with foil stamping. Dustjacket has spot
varnishing. The next step in my OCD evolution is going to be putting
Brodart sleeves on all of my dustjackets.
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