WAR
AGAINST CRIME ANNUAL VOL. 2 (Gemstone, 2000;
Softcover)
Collects
War
Against Crime
Nos. 6-11 (cover dates April/May, 1949- February/March, 1950)
Writers:
Al Feldstein, Harry Harrison*, and other unidentified writers
Artists:
Johnny Craig, Ed Waldman, Al Feldstein, H.C. Kiefer, Graham Ingels,
Rudy Palais, John Alton, Fred Peters, Harry Harrison*, and George
Roussos
*Maybe.
See GCD for #11 for details.
I
love old school crime comics. The gangsters, the Tommy guns and the
slang and fashions of the day are way cool. Old school criminals were
snappy dressers. No pants around their knees, no sir.
Beginning with issue #10 EC began inserting The Vault Of Horror, and within a few months the fortunes of EC Comics would change. History was about to be made. While EC was not the first to the Horror comics party, they were the best. They are still the best in my opinion.
It's hard to pick favorites in this book because I enjoyed all of the stories equally. War Against Crime is a well written, well drawn comic book which make so many modern comics laughable by comparison.
Junk
Food For Thought rating: 4.5 out of 5.
The
OCD zone- If you do not know what an EC
Annual is, then pull up a chair and I'll give you the skinny on these
great books. Gemstone overprinted their single issue reprints in the
'90s with an eye toward selling their own back issues. They
re-purposed this overstock by trimming and gluing 5 entire issues
into a cardstock cover. While this is not technically a trade
paperback (it has no ISBN), it is squarebound and has the title on
the spine. Close enough for Rock and Roll in my book.
DVD-style
Extras included in this book: None.
Linework
and Color: All linework is superb except for Rise And Fall Of
Blackie Archer in #8. That one had some linework work done to it,
which means that this one is one of only a handful of EC stories
where there was no access to original artwork. While it is a
serviceable restoration it could be better.
The
color palette is faithful to the original issues with the exceptions
of the occasional horrid gradient shade and the covers. Marie Severin
recolored the covers all for the EC Library sets, and those same
versions are found here. The handful of gradients toward the end of
the book were due to the fact that the reprint line was winding down
and it was cheaper and easier than doing it right. There aren't many,
but man can my trained eye spot that crap. Unfaithful gradient shades
are -10% enjoyment on The OCD scale.
Paper
stock: Mando paper, which is basically glorified pulp paper. Pro-
It feels like real comic book paper, because it is. Con- It makes me
lay awake at night counting ceiling fan rotations because I am afraid
that I can hear it disintegrating.
Binding:
Perfect bound. The glue is creaky on this one, and I may have to
apply some library binding glue to my copy since the cover separated
from the top of the book a little. Remember kids, always use acid
free library glue. Ask a parent for permission before starting.
Cardstock
cover notes:
Decent thickness to the cardboard, minimal coating.
hey what happened to your "Marvel/Disney and Kirby Estate reach settlement." post?
ReplyDeleteIt went into the ether. I typically refrain from flavor of the moment "fanboy" commentary and posted it on the fly. A few hours later I thought about it and deleted it. I stand by everything that I wrote in, so if you have it printed keep it. It is a magically delicious "withdrawn" post, making it more valuable to collectors.
Delete"if you have it printed keep it. It is a magically delicious "withdrawn" post, making it more valuable to collectors"
Deleteyeah right.