THE
STEVE DITKO OMNIBUS VOL. 1 STARRING SHADE, THE CHANGING MAN (DC,
2011; Hardcover)
Collects
Shade,The
Changing Man Nos.
1-8, Stalker
Nos.
1-4, and selections from Cancelled
Comics Cavalcade
No. 2, Ghosts
Nos. 77, 111, House
of Mystery
Nos. 236, 247, 254, 258, 276, House
of Secrets
Nos. 139, 148, Mystery
In Space
Nos. 111, 114-116, Plop!
No.
16, Secrets
of Haunted House
Nos. 9, 12, 41, 45, Strange
Adventures
Nos. 188, 189, Time
Warp
Nos. 1-4, The
Unexpected
Nos. 189, 221, and Weird
War Tales
Nos. 46, 49, 95, 99, 104-106 (cover dates May, 1966- April, 1982)
Writers:
Steve Ditko, Michael Fleisher, Otto Binder, Dave Wood, Jack Oleck,
David Reed, Jack Harris, Len Wein, Paul Levitz, Steve Skeates,
Sheldon Mayer, Robert Kanigher, George Kashdan, Joe Cavalieri, Arnold
Drake, Robert Ingersoll, Stan Timmons, J.M. DeMatteis, Mike Barr,
Steven Utley, Dan Mishkin, Gary Cohn, and David Allikas
Artists:
Steve Ditko with Inking by Sal Trapani, Mike Royer, Ernie
Chan, Wayne Howard, Wally Wood, Vince Coletta, and Gary Martin
Steve
Ditko is among the greatest comic book artists of all time. Anyone
who created/co-created Spider-Man (and his colorful rogues gallery)
and Doctor Strange has cemented their place in comics history. Having
said that, the material that comprises this book is almost entirely
culled from his, shall we say, less than illustrious era, the mid-70s
to early '80s.
While his contributions to the various Horror and Science Fiction titles are great, Shade,The Changing Man and Stalker leave a lot to be desired. His artwork is still solid and full of all of his idiosyncrasies that we all know and love, but the writing on those two titles straddles between tolerable and terrible. Stalker especially sucks, a weak concept with even weaker execution. If I ever reread this book I will skip these clunkers and make a beeline to the good stuff.
While I am glad that this material has been compiled in a collected edition, the idea of this book is better than the experience of actually reading it. Still, as a Ditko fan who strives to own his complete output in collected editions it is an essential part of my library, substandard presentation and all.
Junk
Food For Thought rating: 3 out of 5.
The
OCD zone- DC released this during a period where they decontented
their books across the board after consulting Direct Market
retailers. Out were quality paper and binding, in was cheap paper,
glued binding, and no shrinkwrap, all done to make books “more
affordable”. These practices were penny wise and pound foolish.
This book feels chintzy and weights about as much as a pack of
cigarettes. Those of us who are connoisseurs of high end collected
editions thumb our noses up at subpar products like this that try to
pass themselves off as high end books.
DVD-style
Extras included in this book: Introduction
by Jonathan Ross. (3 pages)
DC likely uses first semester community college students who just learned how to use Photoshop to recolor these pages. |
Linework
and Color restoration rating: 3 out of 5. While the linework
would get a 4.25, it is the horrid, amateur hour recoloring that
sinks this book. Lazy airbrush gradients instead of hand colored
blends are the order of the day in DC books of classic material. It
is harsh and sticks out like a sore thumb to my eyes. I would
honestly rather read this stuff in black and white phonebooks than in
an improperly colored book like this. While the spirit of the
original publications is maintained the blends kill it for me.
A fine example of the horrid recoloring. I feel a stabbing pain behind my eyes when I look at this. |
Paper
rating: 3 out of 5. The paper is basically really thick mando
paper, which is a slightly thicker and less acidic version of pulp
paper. Hardly the type of paper that one would expect to find in a
supposedly high end collected edition like this. It looks like real
pulp paper.
Many
DC collected editions fans are also binders, which means that they
take their floppies and have them custom bound in hardcovers. DC's
inattention to detail has earned them the nickname Defective Comics
in collected editions circles (credit of term- Aussie Stu from the
Masterworks Message Board), leaving many fans that map out and
bind their own books. Since they are accustomed to crappy paper in
their books they have lower standards for their hardcovers, even
going as far as to defend DC's subpar practices like the toilet paper
used in this book as well as...
Binding
rating: 3 out of 5. ...the glued binding used in this book, which
results in both tight gutters and the book not laying flat. Everybody
wins!
Hardback
cover coating rating:
5 out of 5. While the casewrap has a quality lamination, it's design
is so ugly that it makes this book feel even cheesier than the
materials used in the cheap boards on the hardback. I would take a
picture to show you the horrid design found under the dustjacket but
I would prefer to spare you the terror.
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