DOCTOR SPEKTOR: DARK HORSE ARCHIVES VOL. 1 (Dark Horse, 2010; Hardcover)
Collects
The
Occult Files of Doctor Spektor
Nos. 1-7, Doctor
Spektor Bubble Gum Premium Comic and
the Doctor Spektor story from Mystery
Comics Digest
No.
5 (originally published by Gold Key Comics, cover dates July, 1972-
April, 1974)
Writer:
Donald F. Glut
Artist:
Jesse Santos and Dan Spiegle (Mystery
Comics Digest
#5
only)
Boy,
was I wrong. I couldn't have cared less when this book was solicited
a few years ago. Doctor
Spektor...bah! Sounds like a third rate Doctor
Strange. Who cares!,
I sneered as I thumbed through Previews.
My OCD homeskillet Ferjo Byroy bought it and raved about it. I
remained unconvinced. You see, Ferjo is a sucker for anything and
everything Gold Key, holding those books in almost mythical regard.
We were at a comic convention a couple of years ago and there was a
copy of this book in a nick and ding box for $5.00. Sure, it had a
scrunched corner, but it was only $5! Ferjo strongly urged me to buy
it. How could I go wrong for five measly bucks? And then it was filed
away in ye olde backlog, never to be seen again...until now.
Donald F. Glut has made the rounds. I am most familiar with his work for the Warren Magazines Creepy, Eerie, and Vampirella, but do a quick search on him. He has had a long and storied career in many facets of nerd culture. He created Doctor Spektor, who is not a ripoff of Doctor Strange, The Phantom Stranger, or any other macabre comic book hero. Doctor Adam Spektor investigates all things paranormal, ergo the “occult files” part of the deal. His secretary, Lakota Rainflower, is a skeptic who keeps things grounded even though fantastic things happen in each issue. Doctor Spektor encounters all of the usual old school Horror things: ghosts, mummies, werewolves, vampires, and even the Frankenstein monster.
While the portrayal of Native Americans in the form of Lakota Rainflower is, shall we say, not up to modern sensitivity standards, this is an otherwise outstanding read. This is a product of its time, yet it also has a timeless quality to it. Jesse Santos' artwork is solid and has a Gothic flair to it. This won't make anyone lose any sleep from nightmares but it is a fun macabre read.
I
have volumes two and three en route right now, but volume four is way
out of print and super expensive. I hope that Dark Horse or current
license holder Dynamite publish reprint it.
Junk
Food For Thought rating: 4.5 out of 5.
The
OCD zone- Dark Horse Archives are nice books.
DVD-style
Extras included in this book: Introduction
by Don Glut (5 pages).
Creator
biographies (1 page).
Linework
and Color restoration rating: 4.5 out of 5. These are cleaned up
high resolution scans of the original comic books. While the color
palette is faithful due to this method, the drawback is that the
substandard printing of the original comics is present throughout the
book. Line bleed, off register printing, and smudged, blotchy blacks
appear everywhere. Gold Key had shoddy printing when compared to
other comics of the day, and that is preserved here, warts and all,
in “high def”.
Paper
rating: 5 out of 5. I have a new favorite paper stock...the stock
used in this book. Uncoated stock with no glare in any light source,
it looks like real pulp comic book paper but has the heft and weight
of “archival quality” collected editions like this. In short, it
is the best of both words.
This
paper also has the sweetest smell of any book that I own. This is
sweet smelling even by toxic Chinese standards. Whereas I theorize
that the sweet smell of these Chinese made books is derived from
paper sourced from virgin Amazon rainforest trees and ink which is a
compound of broken asbestos tiles, lead paint chips, mercury from
recalled thermometers with the final magical ingredient of the blood,
sweat, and tears of the Chinese children working the sweatshop
printing presses, this book must have an extra ingredient: heavy
metals dumped into the vat from nearby manufacturing facilities.
Binding
rating: 4.5 out of 5. Smyth sewn binding with 6 stitches per
signature. The book does not lay flat, in part because the binding is
tight, and in part because of the thickness and stiffness of the
paper. The book block does have sufficient room to flex within the
casing. The binding did seem to loosen up a bit by the time that I
finished the book, and it is possible that with a few readings that
the book will lay flat.
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