MORBIUS THE LIVING VAMPIRE: THE MAN CALLED MORBIUS (Marvel, 2013; Softcover)
Collects
Amazing
Spider-Man
No. 699.1 and Morbius
The Living Vampire
Nos. 1-9 (cover dates March- November, 2013)
Writers:
Joe Keatinge with Dan Slott ( Amazing
Spider-Man #699.1)
Artists:
Richard Elson (#1-5, 8, 9), Valentine De Landro, Carlos Rodriguez,
Felix Ruiz, and Marc Checchettio
Colorist:
Antonio Fabella
This
was the first series that I followed via monthly installments since
late 1989 or early 1990 (hard to remember exactly when I quit buying
monthly comic books). This felt radically different in a marathon
reading session when compared to the monthly fix. In some ways it was
better, in other ways it lacked the anticipation that I felt waiting
to see what would happen next. Binge consumption of entertainment is
a respectable pastime here in the 21st century, so luckily
for me I don't have to enjoy comics responsibly. It was a nice
experiment reading single issues again, but I don't see me ever going
that route over trade paperbacks.
Things
start out with Dr. Michael Morbius escaping from the Raft, the
superhuman prison in New York. We see his early life in a series of
flashback sequences. Morbius ends up hiding out in Brownsville, a
depressed urban area not unlike my local major population centre,
Detroit. Brownsville is every bit as desolate and poor as the worst
parts of Detroit, and so when I read this I imagined Morbius living
near Van Dyke and 7 Mile or something. Morbius immediately, if
inadvertently, causes trouble by way of crossing local crime lord
Noah St. Germain.
Things
go from bad to worse for our poor Living Vampire. Morbius is like the
Charlie Brown of the vampire set, trying to do the right thing and
running to kick that football, only to have it always yanked away
from him at the last minute. The Rose enters the picture, and just
when Morbius thinks that he's got that figured out, another layer is
revealed. Morbius is played for a sucker and loses everything, only
to find out that he already has everything that he really needs.
Think of this as It's A Wonderful Life for the vampire set.
Morbius has much appeal...to me. |
This
series was about the man called Morbius. Now that we have established
that, we need to have another series about the monster called
Morbius. We need balls to the wall Horror, with Morbius teaming up
with the Living Mummy and Brother Voodoo to fight...well, whatever,
some monster or demon or something. Morbius could team up with
Werewolf By Night to try and stop some faux-Satanic cult from using
the statue from It! The Living Colossus to transport some demon
entity into it, resulting in a triumphant return of It. It would be
sweet to see It in comics again. We got to see a bit of the
Manphibian in this series, which was cool, because you can never have
too many monsters.
With the holiday gift giving season upon us, you might find yourself wondering what to get that certain special someone for Christmas, Hanukkah, Kwanzaa, the Winter Solstice, or Festivus. May I recommend getting them a copy of this book? If enough people give the gift of Morbius this holiday season then we might get more new Morbius comics. If this book moves some 3-4,000 copies like Hawkeye or Saga trades then this could happen. It's all up to you, folks. I've already bought my copy...
Junk
Food For Thought rating: 4.5 out of 5.
The
OCD zone- Variant covers not included as part of the extras: The
2nd printing to issue 1 with the blue colored logo. The #1
blank cover variant. You might say that I am being a bit too anal,
but this is The OCD zone for chrissakes. It's what we do.
DVD-style
Extras included in this book: All are one
full page.
#1
variant cover by Ed McGuinness and Marte Gracia.
#6
Wolverine Through The Ages variant cover by Patrick Zircher.
#1
variant cover by Skottie Young.
#2
variant cover by Marcos Martin.
#3
variant by Tomm Coker.
Marvel
AR (Augmented Reality) legend. Has anyone actually gotten this stupid
app to work? I downloaded it and followed the instructions
and...nothing. Waste of time if you ask me.
Paper
rating: 4 out of 5. This book has a good weight coated stock
paper with a slight sheen to it. It's nicer than the paper used in
the floppies. It has that stupid wavy effect that many recent Marvel
trade paperbacks suffer from.
Binding
rating: 4 out of 5. Standard perfect bound glued binding.
Cardstock
cover coating rating: 4.5 out of 5. The waxlike lamination seems
cheaper. Also, it is one of those covers that is slightly narrower
than the pages inside, resulting in a really minor ding on the
corners of the front and back pages, all of which could have been
avoided if the cover were a millimeter wider. I guess that the
printer saved .000000000008 on it or whatever. It's like the self
cover of trade paperback covers. The cardstock cover itself was
marginally thinner as well.
Decontenting
is the death knell, babe. Vinyl records were made cheaper and cheaper
throughout the '80s. My first print of Kiss Asylum on vinyl
was 80g weight, which would actually wobble when you took it out of
the sleeve. As demand for paper shrinks and paper mills try to
maximize profits, books are going to be made more and more with
inferior materials. Then once it hits bottom they will reintroduce
physical books as novelty deluxe items, not unlike vinyl is today,
and charge top dollar for them.
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