CAPTAIN AMERICA BY JACK KIRBY OMNIBUS (Marvel, 2010; Hardcover)
Note:
Book actually released in early 2011
Collects
Captain
America
Nos.
193-214, Captain
America Annual
Nos.
3, 4, and Marvel
Treasury Edition Featuring Captain America's Bicentennial Battles
(cover
dates January, 1976- October, 1977)
Writer
and Penciler: Jack Kirby
Inkers:
Various
It's
almost impossible to mention Jack Kirby without fandom blowing a
gasket over how he was/was not screwed over by Marvel, or how Stan
Lee did/did not help co-create the characters which served as the
foundation of the Marvel Universe. People get passionate, tempers
flare, Internet arguments ensue. I won't even go there, but I will
say that Kirby was a terrible businessman. He came back to
Marvel and freely created even more characters for them after
his perceived mistreatment the first time around. I wouldn't have
given them shit if I were as mistreated as Kirby claimed he was.
I
recall many comics fans bashing Kirby in the '80s. Indeed, looking at
his then-current work I thought that he sucked ass when I was a kid.
It wasn't until I got a Fantastic Four Marvel Treasury Edition
in 1985 (which collected '60s FF) that I began to appreciate his
work. The point of this statement is that it is considered
sacrilegious to utter that something that Kirby did, anything
that Kirby did, was not art of the highest order and unparallelled
creative genius. This only became a way of thinking after he died, of
course. Until then, those same folks who utter statements like this
were still busy bashing his work.
I'm going to go out on a limb and say that this run on the title is not very good. I imagine if you were 8-12 when these issues were originally released then these are some of your all-time favorite comics. When I read this, I see Kirby past his prime as an artist, with occasionally nauseating dialogue, going batshit crazy. Kirby trips over himself trying to makes things over the top explosive. Issues that begin in the middle of a scene or forgetting where he's going by the issue's end. It's painful at times. Some of these issues are way fun, though, and his artwork occasionally rises to his past greatness. I began reading this during the winter immediately following the completion of the Silver Age Captain America Omnibus which collected the classic Stan Lee/Jack Kirby run. To go from Kirby at the peak of his powers to this caused me to put this book down and leave it alone on and off over the past 7-8 months.
Marvel
Treasury Edition Featuring Captain America's Bicentennial Battles
completely
sucks ass. It's Kirby at his ham-fisted worst. People can debate
about who did what, but this story makes it abundantly clear who
wrote the better dialogue: Stan Lee. Kirby's scripts are painful at
times, and him being his own editor was an even bigger mistake. The
Madbomb
arc (issues 193-200) is abysmal. Kill-Derby
(issue 196) sees Kirby ripping off Rollerball,
much like he ripped off Planet
of the Apes and
Ka-Zar a few years earlier when he “created” Kamandi,
The Last Boy On Earth.
The gem of this run is his creation of Arnim Zola.
The Night People arc was very good, a welcome change of pace from the Madbomb debacle. Kirby goes way off the deep end here, though, taking Cap not only off planet but out of this dimension altogether. Texas Jack was another stupid, cheesy character Kirby inserted into the proceedings in a nonsensical manner. Things then sort of float between readable and good until the end of the book. Annual 4 sees Cap taking on Magneto and a rather uninspired new Brotherhood of Evil Mutants. Kirby's characterization of the Falcon is good, even if his “street” dialogue with him and his “Mama” is embarrassing to say the least.
Note the lack of gutter loss, a mighty impressive feat on a 550+ page book. Proof positive why Marvel's Omnibus program is superior to DC's. |
So
while many fans proclaim their love for the genius of Kirby, I will
say that this book does not help that argument one bit. If you want
to show someone why Kirby deserves a spot on the Mount Rushmore of
comic book creators then show them his '40-60s stuff. This stuff is
best seen as a curiosity item and is recommended for completists
only.
Junk
Food For Thought rating: 2.75 out of 5.
The
OCD zone- I love Marvel Omnibus hardcovers. This book is slightly
out of original publication sequence, with the Marvel
Treasury Edition Featuring Captain America's Bicentennial Battles and
Captain
America Annual No.
3
being
first in the book. I guess that their location in the beginning of
the book makes sense from a readability standpoint since they are
standalone stories, but it may cause some restless nights for the
acute OCD sufferer.
DVD-style
Extras included in this book: Cover pencils
to issues 193, 194, 197-199. (5 pages)
Covers
to Captain
America' & The Falcon: Madbomb TPB,
Captain
America:Bicentennial Battles TPB,
and
Captain
America' & The Falcon: The Swine TPB.
Linework
and Color restoration rating: 4.5 out of 5. Some folks have
complained about the linework and color restoration being “muddy”
in this book, but I'm not seeing it. Coloring errors from the
original issues were faithfully maintained because Marvel uses a
“warts and all” approach, leaving typos and coloring errors as
they were in the original comic books.
Paper
rating: 5 out of 5. The golden age of the Omnibus format, when
the paper was thick coated stock and smelled of sweet lead and
mercury. The paper on modern Omniboo is much thinner, unfortunately.
Binding
rating: 5 out of 5. The best of the best sewn binding, plenty of
flex in the casing which allows the book to lay perfectly flat from
the first page to the last.
While
this book is out of print, this material is available in the
following collected editions at InStockTrades!
Really interesting review...this book always seems to be going on and then off my radar. I've read parts of this run when I was younger, and they were off-putting to me at the time despite the fact that I'm a huge Kirby fan. Having read more of his Fourth World work now, though, I wonder if this would make more sense in that light. It seemed to me that he was making some arguments in the Fourth World that were very different from those of other superhero comics at the time, and I would be interested to go back and see how much of that carries over into Captain America.
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