JUDGE
DREDD: THE COMPLETE CASE FILES VOL. 1 (2000
AD, First US Printing, 2010;
Softcover)
Collects
selections from 2000
A.D.
Nos. 2-60 (cover dates March 5, 1977- April 15, 1978)
Writers:
Pete Harris, Kelvin Gosnell, Malcom Shaw, Charles Herring, Gerry
Finley-Day, Pat Mills, Robert Flynn, John Wagner, and Joe Collins.
Artists:
Carlos Ezquerra, Mike McMahon, Massimo Belardinelli, Ron Turner, Ian
Gibson, John Cooper, Bill Ward, and Brian Bolland.
A
pox upon you, completist OCD! I was warned that early Dredd was a bit
dry and to start out with Volume 2, but no, I have to own the
complete collection. In all honesty, this was a fun read. It was
interesting to see the very foundations of the character, and even
more interesting to see how much Robocop ripped off from early
Dredd. Judge Dredd is almost robotic in his complete indifference to
the reason why humans break the law. He just wants them to obey the
law at all costs. Dredd is about absolutes. Absolute compliance,
absolute justice.
There
is a major arc almost immediately with the Robot Wars, where the
Judges find themselves in battle with renegade robots. There is a
cynical black humoUr to this dystopian view of America's future, and
sadly, much of it has come to pass. America has become more of a
police and nanny state in the last 35 years. The next major arc, a
ways further into the book, is when Judge Dredd becomes appointed
Judge-Marhsal of Luna1, the United Cities of North America's colony
on the moon. Once there, Dredd roots out corruption and rules with an
iron fist. He gets tricked into fighting a war with the Sovs during
the first Lunar Olympics. The book ends shortly after Dredd's
appointment is over and he is reinstated as a Judge in Mega-City One.
As
you can see above, the writing and artwork is handled by a lot of
different creators. Since this was a weekly serial, this was
necessary to make deadlines. Most of the writing is decent,
especially when you consider how long ago it was written and how well
it holds up being read here in late 2012/early 2013. The artwork is
mostly passable, with the exception of the brilliant Brian Bolland.
This is some of Bolland's earliest work, and he only gets better. I
have read some of the Bolland stuff that's a little further down the
pike, and it's incredible. It gives me something to look forward to
in future volumes.
The
downside to this book is Walter the Robot, Judge Dredd's
Robo-servant. Something happens and he develops a speech impediment,
replacing Rs for Ws, i.e. Judge Dwedd. It is incredibly annoying to
read after a while. Walter and Dredd's housekeeper are supposed to
provide the comic relief to Dredd's serious, deadpan nature. I hope
that Walter is phased out before too long.
Junk
Food For Thought rating: 3.25 out of 5.
The
OCD zone- This is phonebook style collection. There are no page
numbers, nor any information as to where each story came from. A page
number and info at the bottom border at the beginning of each issue
would have allowed me to sleep better at night. It's bad enough that
only two of the 59 covers are included. Only the covers with Dredd
are included in this collection, and those are in the back. These
things cause us OCD purists to toss and turn at night.
Linework
restoration rating: 4.75 out of 5. The linework looks excellent
throughout the book, with no dropouts or pixelation. The rating debit
comes from the blotchy look of the handful of pages in the end which
were obviously in full color and scanned. Since this book is printed
in black and white, the colors looked all murky and gray on those few
pages.
Paper
rating: 3.75 out of 5. This book has a thick, uncoated stock
paper.
Binding
rating: 4 out of 5. This book has glued binding. It has a nice
thick band of glue and should hold up well with repeated reading and
handling.
Cardstock
cover coating rating: 3.5 out of 5. The cardstock cover has that
thin, easily scuffable coating that drives me nuts. It has to be a
cost save. Either that, or my conspiracy theory is that publishers
are going to continually decontent their product until people would
rather read their books on Nooks and Kindles. Hey, they
decontented vinyl records throughout the '80s to the point where
people switched to cassettes and CDs. Then they brought them back out
as deluxe reissues, charging double the price (adjusted for
inflation). There's a moral in there somewhere...
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