AVENGERS:
THE BRIDE OF ULTRON (Marvel, 2012; Hardcover)
Collects
Avengers
Nos.
157-166 (cover dates March- December, 1977)
Writers:
Gerry Conway (157), Jim Shooter (158-
Artists:
George Perez (penciler 160-162), John Byrne (penciler 164-166),
George Tuska (penciler, 163), Pablos Marcos (inker, 158-166), Don
Heck (penciler, 157), and Sal Buscema (penciler, 158, 159).
My
Avengers don't sit around the breakfast table and spend an entire
issue talking. No siree. My Avengers go out and save the world from
Earth-shaking threats like Typhon (not Typhoon), Ultron,
Graviton, and the then-newly hyper-powered Count Nefaria. My Avengers
aren't snarky smart asses. The character development occurs during
the events in the story rather than in conversation around the
breakfast table. Wonder Man's crippling self doubt while in battle,
The Avengers' growing resentment of Thor swooping in at the last
moment and saving them time and again, Captain America's growing
bitterness at Iron Man's failure in leadership and disjointed efforts
as a team...these all unfold while things are actually happening.
It's more fun to read than talking heads who all have the same
“voice”.
Ultron
unhinging Henry Pym (Yellowjacket/Ant-Man/ Giant-Man/Goliath) and
using him to copy the brainwaves of the Wasp to form his robot bride
(later named Jocasta) is a grand, Oedipus Complex of a plot. In this
case, he would kill the father and make a mother to marry.
Artwork by John Byrne |
George
Tuska's artwork is much, much better with Pablos Marcos' superb
inking than it was with Vince Colletta's. These are among the
greatest Avengers comics ever made.
Junk
Food For Thought rating: 5 out of 5.
The
OCD zone- The late, lamented Marvel Premiere Classic line of
hardcovers were a sort of junior Masterworks line, with decent
restoration, nice paper, and sewn binding at a much lower MSRP.
Linework
restoration rating: 4.75 out of 5. There are a handful of spots,
including issue 166's cover, where there is visible pixelation and/or
dropped linework. Aside from those few instances, the restoration is
excellent.
Color
restoration rating: 5 out of 5. Excellent, faithful recoloring
that matches the original comic books' color palette.
Paper
rating: 4.5 out of 5. This line of books has a thick coated
stock.
Binding
rating: 5 out of 5. Wonderful sewn binding that allows the book
to lay flat.
Dustjacket
coating rating: 3 out of 5. This has that image coated/ solid
blacks not coated approach that so many publishers have adopted. It
is easily scuffed and therefore loses points here in the OCD zone.
Durability trumps fancy production values every time out in my world.
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