WONDER
WOMAN ARCHIVES VOL. 6 (DC,
2010; Hardcover)
Collects
Wonder
Woman
Nos. 13-15 and
selections from Sensation
Comics
Nos. 41-48 (cover
dates May- December, 1945)
Writers:
Joye Murchison, Robert Kanigher, and William Moulton Marston.
Artist:
Harry G. Peter
Here
we are six volumes in, and all of the elements that have made this
such a charming, amusing read are present in all of their glory. The
dominance/submission and bondage overtones, the post-suffragette
movement/ proto-women's liberation movement sentiments, and the
can-do attitude that American displayed during World War II are all
here, and I love it.
The
stories do tend to get somewhat formulaic, so they are best read in
small doses. I'll read 1-3 at a time, and then put the book down for
a few days. Rinse. Repeat. Marston was suffering from polio during
this time, so he delegated scripting to Joye Murchison and Robert
Kanigher. I can only assume that they went off of his plots, because
there is very little difference in tone and style from his own
scripts. Indeed, if writing credits weren't provided, I wouldn't have
suspected that were different writers at all.
H.G.
Peter's artwork is incredible as usual, being worlds more detailed
than was necessary for the time. I love the intricacy of the hairdos
on the women, for example. I wonder if he studied bondage magazines
or something, because he is always depicting new and unusual
constraints for Wonder Woman. I still chuckle when I think of
children buying this stuff. It's no small coincidence that Wonder
Woman was extremely popular amongst soldiers in World War II.
In
Issue 13 Wonder Woman fights the Seal Men, who look so ridiculous
that they rule. In this issue it is revealed that she can bench press
15,000 lbs. (6803.88555 kg), jump 150 ft. (45.72 meters), and lift 25
tons (22679.6 kg). I have no idea how these abilities compare to
those depicted in other eras of the title, but as a kid who grew up
studying such things in The Official Handbook of the Marvel
Universe, I find such specifications to be fascinating.
Junk
Food For Thought rating: 5 out of 5.
The
OCD zone- While the linework and color restoration are markedly
improved over volume 5, pages 136, 149, and 152 look terrible, enough
for me to lower the linework restoration rating.
The
paper is a nice, thick coated stock with a bit more of a sheen than
the Archives have traditionally had. It has the same nice sewn
binding that DC should employ on all of it's high end hardcovers.
Linework
restoration rating: 4.5 out of 5.
Color
restoration rating: 4.5 out of 5.
Paper
rating: 5 out of 5.
Binding
rating: 5 out of 5.
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