Neil Young With Crazy Horse/ Americana (Reprise, 2012)
Let's
give credit where credit is due: Neil Young could have just slapped
some lyrics on these arrangements of traditional folk songs and
passed them off as originals, and no one would have been any the
wiser. Instead, he and the reconstituted Crazy Horse stretch,
massage, and strangle these 19th and 20th
century traditional folk songs into living, breathing works that
require an honest look here in 2012.
How
many people would honestly give Jesus' Chariot (She'll Be Comin'
Around The Mountain) a listen otherwise? I know that I have sat
down with the lyrics to these songs, something that I have never done
even though we've all heard them countless times before.
Gallows
Pole is frickin' incredible, sounding like Neil Young and Crazy
Horse crash landed in a 19th century shanty town and set
up their instruments to play for the downtrodden. Unbelievable. Oh
Susana is super catchy, and again, Neil could've slapped some of
his own lyrics on here and completely fooled everyone into thinking
it was a new song. Get A Job is another Back to the Future
moment, sounding like Crazy Horse crash landed in the '50s. I love
this album.
Joe Walsh/ Analog Man (Fantasy, 2012)
Welcome
back, Joe! Analog Man, which ironically was recorded
digitally, is a great album. It clocks in at 36:36, a tad short for
such a long wait. Still, I am of the mindset that I'd rather have
shorter album without an ounce of filler than an 80 minute opus
filled with lackluster tunes. Every song on this album is good,
hitting every style that Joe has dabbled in over the years. There are
those moments that sounds familiar, and you're like Oh yeah, this
sounds like Joe Walsh. He has made no effort whatsoever to fit
into any modern marketing demographic. You won't see this on the
counter at Starbucks...but maybe you should. There is only one
song, India, which sounds like it was made this century.
This
may be his most honest album, lyrically speaking. Analog Man
is hilarious, pure vintage Joe with his sense of humor intact. Some
of the lyrics show Joe as older, wiser, and, dare I say it,
spiritual. They're not overly preachy or anything, but Joe does seem
to acknowledge his higher power a few times, only this time it ain't
his homegrown.
Funk
50 is the third in a series, with Funk #49 being one of
The James Gang's signature tunes. This drum beat on this borders on
hip-hop, but leans closer to funk. I bought the standard consumer
edition of the CD and got gypped out of two bonus tracks.
Sonofabitch! I didn't want the frickin' DVD, man! Shenanigans!
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